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Gerwig is working in the same self-deprecating but entirely empathetic style as Woody Allen, Albert Brooks, and Whit Stillman (whose “Damsels in Distress” features Gerwig in an adorkable role).
Catherine’s arduous journey in the first leg of the film leads slowly but surely to an unlikely friendship with Sitting Bull, but their dynamic has very little spark.For many years, Roger Ebert and a team of contributors have covered Cannes, and we are continuing that tradition with start-to-finish coverage from around the festival.The opening shot of a movie can tell us a lot about how to view and interpret what follows.But without romance, humor or anything else—for example, it could have further explored the artistic connection between Catherine and Sitting Bull—that might enliven the material, “Woman Walks Ahead” remains stagnant as a politically correct but enervating historical drama.
Narrative problems seem to be a consistent motif at the films playing at TIFF this year.
There were people who must have doubted a young American actress in the director’s chair.